Language

Style of writing

The language in the novel City of Glass by Paul Auster is mostly formal. The author uses a complex vocabulary and long sentences. For instance: “The train pulled into the station and Quinn felt the noise of it shoot through his body: a random, hectic din that seemed to join with his pulse, pumping his blood in raucous spurts.” (Chapter 7, 57%). Since the story mostly follows Quinn’s perspective, this way of talking also reflects Quinn’s intellectual background.

Dialogue plays a very important part in the novel, as the way characters talk reveals a lot about who they are. Quinn, for example, when he takes on the role of Paul Auster, talks like the typical, competent detective. His words and manner are detached and professional, to the point that they might be considered clichéd. For example:

‘Whatever I do or do not understand,’ he said, ‘is probably beside the point. You’ve hired me to do a job, and the sooner I get on with it the better. From what I can gather, the case is urgent (…). The important thing is that I’m willing to help. I think you should take it for what it’s worth.’ (Chapter 3, 67%)

This makes Quinn sound self-assured and experienced, but it also sounds slightly artificial, reminding the readers that Quinn is just playing a role.

Virginia Stillman also speaks in a formal, restrained manner. This is in contrast with the unrestrained, passionate kiss she gives Quinn at the end of their meeting (Chapter 3, 100%).

Peter Stillman has an unusual way of express...